{"id":63,"date":"2020-06-10T13:14:55","date_gmt":"2020-06-10T17:14:55","guid":{"rendered":"https:\/\/www.transy.edu\/calendar\/?page_id=63"},"modified":"2026-08-25T13:52:14","modified_gmt":"2026-08-25T17:52:14","slug":"creative-intelligence","status":"publish","type":"page","link":"https:\/\/www.transy.edu\/calendar\/creative-intelligence","title":{"rendered":"Creative Intelligence"},"content":{"rendered":"\n<div class=\"wp-block-group full-width is-layout-flow wp-block-group-is-layout-flow\">\n<h2 id=\"h-invisible-gifts\" class=\"wp-block-heading has-black-color has-text-color\">Invisible Gifts<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">In her poem \u201cThe Great Blue Heron of Dunbar Road,\u201d Ada Lim\u00f3n remembers her morning drives to school with her stepfather, each of them seeking to uplift the other, at times at the expense of truth. In the end, \u201cThe Great Blue Heron of Dunbar Road\u201d emerges as a love poem whose final lines affirm attention and care as necessary conditions for love. The speaker concludes:&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u2026 and I think even if I fail at everything,&nbsp;<br>I still want to point out the heron like I was taught,&nbsp;<br>still want to slow the car down to see the thing&nbsp;<br>that makes it all better, the invisible gift,&nbsp;<br>what we see when we stare long enough into nothing.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Invisible Gifts<\/strong> is an exploration of human relationships and community as life-giving, a way to discern meaning, connections and gratitude in the present moment.<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">Kremena Todorova, <br>Associate Professor of English and Director of Creative Intelligence Series<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--50);margin-bottom:var(--wp--preset--spacing--50)\"\/>\n\n\n\n<div class=\"wp-block-group is-content-justification-space-between is-nowrap is-layout-flex wp-container-core-group-is-layout-f36ac205 wp-block-group-is-layout-flex\">\n<h2 id=\"h-creative-intelligence-events\" class=\"wp-block-heading\" style=\"margin-top:0\">Creative Intelligence Events<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\"><strong>All events are free and open to the public &#8211; no tickets required&nbsp;<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group full-width is-layout-flow wp-block-group-is-layout-flow\">\n<div id=\"convocation\" class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\" style=\"margin-bottom:var(--wp--preset--spacing--60)\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<h3 id=\"laurieSantos\" class=\"wp-block-heading\"><strong>Sept. 16 and 17, 2026 \u2014 <strong>Naomi Wallace and Ismail\u00a0Khalidi<\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Academic Convocation: <\/strong>&#8220;Future Occupations and the Ghosts of Kentucky and\u00a0Beyond&#8221;<br>Wednesday, Sept. 16, 4:30 p.m., Haggin Auditorium<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Staged Reading and Conversation: <\/strong>\u201cWriting as Witness: Gaza and the Art of Not Averting Our Gaze\u201d (followed by book signing)<br>Thursday, Sept. 17, 6 p.m., Carrick Theater<\/p>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>Both events presented in collaboration with Transylvania University\u2019s theater program.<\/strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Naomi Wallace\u2019s plays have been produced in the United States, Europe and the Middle East and include &#8220;One Flea Spare,&#8221; &#8220;The Trestle at Pope Lick Creek,&#8221; &#8220;In the Heart of America,&#8221; &#8220;The Breach,&#8221; &#8220;Things of Dry Hours,&#8221; &#8220;The Fever Chart: Three Visions of the Middle East,&#8221; &#8220;And I and Silence,&#8221; &#8220;Night is a Room,&#8221; &#8220;The Return of Benjamin Lay&#8221; (co-written with Marcus Rediker) and adaptations of &#8220;Returning to Haifa&#8221; by Ghassan Kanafani and &#8220;The Corpse Washer&#8221;<em> <\/em>by Sinan Antoon (both adaptations co-written with Ismail Khalidi).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-bottom:0\">Awards include the MacArthur Award, Obie Award, Susan Smith Blackburn Prize, Fellowship of Southern Writers Drama Award, Horton Foote Award, Arts and Letters Award in Literature and the inaugural Windham Campbell prize for drama. In 2025, Wallace was inducted into the Kentucky Writers Hall of Fame.<em> <\/em>Wallace is currently writing the John Mellencamp musical &#8220;Jack and Diane.&#8221;&nbsp;<\/p>\n\n\n<style>.wp-block-kadence-spacer.kt-block-spacer-63_47a358-6b .kt-block-spacer{height:45px;}.wp-block-kadence-spacer.kt-block-spacer-63_47a358-6b .kt-divider{border-top-width:1px;height:1px;border-top-color:#eee;width:80%;border-top-style:dashed;}<\/style>\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-63_47a358-6b\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\"\/><\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0\">Ismail Khalidi is a playwright and director born in Beirut and raised in Chicago. His plays include &#8220;Tennis in Nablus&#8221; (Alliance Theatre), &#8220;Truth Serum Blues&#8221; (Pangea World Theater), &#8220;Foot&#8221; (Teatro Amal), &#8220;Sabra Falling&#8221; (Pangea World Theater), &#8220;Dead Are My People&#8221; (Noor Theatre),&nbsp;&#8220;Guernica, Gaza&#8221; (Ashtar Theatre) and &#8220;The Magic Bullet&#8221; (Lub Dub).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He has adapted two novels for the stage with Naomi Wallace: Ghassan Kanafani&#8217;s &#8220;Returning to Haifa&#8221; (Finborough Theatre) and Sinan Antoon&#8217;s &#8220;The Corpse Washer&#8221; (Actors Theatre of Louisville). His most recent collaboration with Wallace, &#8220;Visions from the Center of the Earth,&#8221; premiered at Ashtar Theater in Palestine in 2024.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Khalidi&#8217;s plays have been published in numerous anthologies, including the collection from Bloomsbury (2025) titled &#8220;Until I Return: The Selected Plays of Ismail Khalidi,&#8221; and Inside\/Outside: &#8220;Six Plays from Palestine and the Diaspora&#8221; (TCG, 2015), which he also co-edited with Wallace. His writing has appeared in The Nation, Guernica, American Theatre Magazine, The Dramatist, Remezcla,&nbsp;Al-Jazeera, Mizna and The Kenyon Review.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Khalidi holds an MFA in dramatic writing from NYU&#8217;s Tisch School of the Arts. He has previously been an artist-in-residence at Teatro Amal, Mizna, and Boston University&#8217;s Center on Forced Displacement. He is currently a Directing Fellow at Pangea World Theater.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"800\" src=\"https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Naomi-Wallace.jpeg\" alt=\"\" class=\"wp-image-30470\" style=\"aspect-ratio:1;object-fit:cover\" srcset=\"https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Naomi-Wallace.jpeg 600w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Naomi-Wallace-225x300.jpeg 225w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">Naomi Wallace<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"779\" height=\"1600\" src=\"https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Ismail-Khalidi.jpeg\" alt=\"\" class=\"wp-image-30471\" style=\"aspect-ratio:1;object-fit:cover;object-position:50% 66%\" srcset=\"https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Ismail-Khalidi.jpeg 779w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Ismail-Khalidi-146x300.jpeg 146w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Ismail-Khalidi-499x1024.jpeg 499w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Ismail-Khalidi-768x1577.jpeg 768w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Ismail-Khalidi-748x1536.jpeg 748w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Ismail-Khalidi-394x810.jpeg 394w\" sizes=\"auto, (max-width: 779px) 100vw, 779px\" \/><figcaption class=\"wp-element-caption\">Ismail Khalidi<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div id=\"tanehisiCoates\" class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\" style=\"margin-bottom:var(--wp--preset--spacing--60)\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<h3 id=\"laurieSantos\" class=\"wp-block-heading\"><strong>Nov. 5, 2026 \u2014 <strong><strong>Ta-Nehisi Coates<\/strong><\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>William R. Kenan Jr. Lecture:<\/strong> \u201cA Conversation With Ta-Nehisi Coates\u201d<br>Thursday, Nov. 5, 7 p.m., Haggin Auditorium<\/p>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong>Presented in collaboration with the Bingham Center for Teaching Excellence and the Hazelrigg Lecture Series for the Humanities and Social Sciences<\/strong><\/strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ta-Nehisi Coates is an award-winning author and journalist. He is the author of the bestselling books &#8220;The Message,&#8221; &#8220;The Beautiful Struggle,&#8221; &#8220;We Were Eight Years in Power,&#8221; &#8220;The Water Dancer,&#8221; and &#8220;Between the World and Me,&#8221; which won the National Book Award in 2015.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He was a recipient of a MacArthur Fellowship that same year. As a journalist with a career spanning over two decades, he has written for numerous publications including The Washington City Paper, The Village Voice, The New Yorker and The New York Times.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">During his time reporting for The Atlantic between 2008-18, he penned numerous articles and essays, including the National Magazine Award-winning 2012 essay \u201cFear of a Black President\u201d and the influential June 2014 essay \u201cThe Case For Reparations.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Coates also enjoyed a successful run writing Marvel\u2019s &#8220;Black Panther&#8221; (2016-21) and &#8220;Captain America&#8221; (2018-21) comics series. He is a contributing editor at Vanity Fair.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Ta-Nehisi-Coates-683x1024.jpg\" alt=\"\" class=\"wp-image-30472\" style=\"aspect-ratio:5\/6;object-fit:cover;object-position:60% 9%\" srcset=\"https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Ta-Nehisi-Coates-683x1024.jpg 683w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Ta-Nehisi-Coates-200x300.jpg 200w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Ta-Nehisi-Coates-768x1152.jpg 768w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Ta-Nehisi-Coates-1024x1536.jpg 1024w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Ta-Nehisi-Coates-540x810.jpg 540w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Ta-Nehisi-Coates.jpg 1280w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"wp-element-caption\">Ta-Nehisi Coates<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div id=\"kaylaRaeWhitaker\" class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\" style=\"margin-bottom:var(--wp--preset--spacing--60)\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<h3 id=\"laurieSantos\" class=\"wp-block-heading\"><strong><strong>Feb. 18, 2027 \u2014 Kayla Rae Whitaker<\/strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Public Reading<\/strong> (followed by book signing)<br>Thursday, Feb. 18, 6 p.m., Carrick Theater<\/p>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong>Presented in collaboration with Transylvania University\u2019s Writing Center<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kayla Rae Whitaker is a graduate of the University of Kentucky and New York University. Her first novel, &#8220;The Animators&#8221; (Penguin\/Random House), was named a best book of the year by Entertainment Weekly, NPR, Kirkus Reviews, and BookPage; &#8220;The Animators&#8221; was also a Spring 2017 Barnes &amp; Noble Discover Great New Writers selection and a February 2017 Book of the Month Club selection. Her new novel \u2014 &#8220;Returns and Exchanges&#8221; \u2014 arrived this past spring. She lives in Queens, New York, and teaches high school English.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Kayla-Rae-Whitaker-credit-Mark-Bennington-683x1024.jpg\" alt=\"\" class=\"wp-image-30473\" style=\"aspect-ratio:6\/5;object-fit:cover;object-position:55% 26%\" srcset=\"https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Kayla-Rae-Whitaker-credit-Mark-Bennington-683x1024.jpg 683w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Kayla-Rae-Whitaker-credit-Mark-Bennington-200x300.jpg 200w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Kayla-Rae-Whitaker-credit-Mark-Bennington-768x1151.jpg 768w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Kayla-Rae-Whitaker-credit-Mark-Bennington-540x810.jpg 540w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Kayla-Rae-Whitaker-credit-Mark-Bennington.jpg 854w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"wp-element-caption\">Kayla Rae Whitaker<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div id=\"tomJones\" class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\" style=\"margin-bottom:var(--wp--preset--spacing--60)\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<h3 id=\"laurieSantos\" class=\"wp-block-heading\"><strong><strong>Feb. 25, 2027 \u2014 <\/strong><\/strong>Tom Jones<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Public Talk:<\/strong>  \u201cHere We Stand\u201d<br>Thursday, Feb. 25, 6 p.m., Carrick Theater<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Solo Exhibition: <\/strong>\u201cHere We Stand\u201d<br>Feb. 1-March 12, Morlan Gallery<\/p>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong><strong>Presented in Collaboration with Transylvania University\u2019s Morlan Gallery<\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tom Jones (professor of Photography, University of Wisconsin-Madison) is an artist, curator and educator. He graduated with a Master of Fine Arts in photography and a Master of Arts in museum studies from Columbia College in Chicago.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jones\u2019 artwork is a commentary on identity, culture appropriation, experience and perception of Native America. He continues to work on an ongoing photographic essay on the contemporary life of his tribe, the Ho-Chunk Nation of Wisconsin.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jones co-authored the book &#8220;People of the Big Voice, Photographs of Ho-Chunk Families&#8221; by Charles Van Schaick, 1879-1943.&nbsp;He is the co-curator for the exhibition and contributing author to the book &#8220;For a Love of His People: The Photography of Horace Poolaw&#8221; for the National Museum of the American Indian. He recently curated a show on Ho-Chunk baskets for the Museum of Wisconsin Art.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jones\u2019 artwork is in numerous private and public collections, most notably: National Gallery of Art, National Museum of the American Indian, Sprint Corporation, Minneapolis Institute of Art, San Francisco Museum of Modern Art, Museum of Contemporary Photography, Library of Congress and Microsoft.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"947\" height=\"1024\" src=\"https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tom-Jones-947x1024.jpg\" alt=\"\" class=\"wp-image-30474\" srcset=\"https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tom-Jones-947x1024.jpg 947w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tom-Jones-278x300.jpg 278w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tom-Jones-768x830.jpg 768w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tom-Jones-749x810.jpg 749w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tom-Jones.jpg 1200w\" sizes=\"auto, (max-width: 947px) 100vw, 947px\" \/><figcaption class=\"wp-element-caption\">Tom Jones<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div id=\"tessaHulls\" class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\" style=\"margin-bottom:var(--wp--preset--spacing--60)\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<h3 id=\"laurieSantos\" class=\"wp-block-heading\"><strong>March 23, 2027 \u2014 Tessa Hulls<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Delcamp Visiting Writer: <\/strong>\u201cWhat the River Holds\u201d (followed by book signing)<br>Tuesday, March 23, 6 p.m., Carrick Theater<\/p>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong><strong><strong><strong><strong>Presented in collaboration with the Delcamp Visiting Writer Program and the Bingham Center for Teaching Excellence<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tessa Hulls is an artist\/writer\/adventurer illuminating the connections between the present and the past. Her graphic memoir &#8220;Feeding Ghosts&#8221; explores the reverberations of her Chinese grandmother\u2019s escape from the communist regime and her subsequent mental illness. Her work addresses racial justice, the immigrant experience, generational trauma, mental health, the creative process and the surprising feminist history of the bicycle. &#8220;Feeding Ghosts&#8221; has earned the Pulitzer Prize, Anisfield-Wolf Book Award, National Book Critics Circle John Leonard Prize for First Book, Eisner Award, Washington State Book Award and 2024 Libby Award. It was also named a Best Book of 2024 by Time, Forbes, NPR, the Minnesota Star Tribune, LitHub, Publishers Weekly, Library Journal, Chicago Public Library and others.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hulls\u2019 essays have appeared in The Washington Post, Atlas Obscura, and Adventure Journal, and her comics have been published in The Rumpus, City Arts and The Margins. She has been awarded grants from the Seattle Office of Arts and Culture, 4Culture and the Robert B. McMillen Foundation, and she received the Washington Artist Trust Arts Innovator Award. She has been awarded residencies at Yaddo, Hedgebrook, Ucross and others.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tessa_Hulls_credit_Piper_Hanson_sq-1024x1024.jpg\" alt=\"\" class=\"wp-image-30475\" srcset=\"https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tessa_Hulls_credit_Piper_Hanson_sq-1024x1024.jpg 1024w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tessa_Hulls_credit_Piper_Hanson_sq-300x300.jpg 300w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tessa_Hulls_credit_Piper_Hanson_sq-150x150.jpg 150w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tessa_Hulls_credit_Piper_Hanson_sq-768x767.jpg 768w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tessa_Hulls_credit_Piper_Hanson_sq-1536x1534.jpg 1536w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tessa_Hulls_credit_Piper_Hanson_sq-696x696.jpg 696w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tessa_Hulls_credit_Piper_Hanson_sq-466x466.jpg 466w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tessa_Hulls_credit_Piper_Hanson_sq-348x348.jpg 348w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tessa_Hulls_credit_Piper_Hanson_sq-810x810.jpg 810w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tessa_Hulls_credit_Piper_Hanson_sq-1200x1200.jpg 1200w, https:\/\/www.transy.edu\/calendar\/wp-content\/uploads\/sites\/8\/2026\/08\/Tessa_Hulls_credit_Piper_Hanson_sq.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Tessa Hulls<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Invisible Gifts In her poem \u201cThe Great Blue Heron of Dunbar Road,\u201d Ada Lim\u00f3n remembers her morning drives to school with her stepfather, each of them seeking to uplift the other, at times at the expense of truth. In the end, \u201cThe Great Blue Heron of Dunbar Road\u201d emerges as a love poem whose final lines affirm attention and care as necessary conditions for love.<\/p>\n<p class=\"continueLink\"><a class=\"btn btn-info\" href=\"https:\/\/www.transy.edu\/calendar\/creative-intelligence\">Continue to &ldquo;Creative Intelligence&rdquo;<\/a><\/p>\n","protected":false},"author":2,"featured_media":14631,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"Creative Intelligence","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"504,46,201,247,541,545","_relevanssi_noindex_reason":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-63","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.3 (Yoast SEO v28.4) - 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