{"id":1666,"date":"2011-09-27T12:42:08","date_gmt":"2011-09-27T16:42:08","guid":{"rendered":"https:\/\/www.transy.edu\/1780\/2011\/09\/morlan-gallerys-first-show-of-the-2011-12-academic-year-features-interactive-and-generative-works-runs-through-oct-28\/"},"modified":"2020-07-14T13:57:41","modified_gmt":"2020-07-14T17:57:41","slug":"morlan-gallerys-first-show-of-the-2011-12-academic-year-features-interactive-and-generative-works-runs-through-oct-28","status":"publish","type":"post","link":"https:\/\/www.transy.edu\/1780\/2011\/09\/morlan-gallerys-first-show-of-the-2011-12-academic-year-features-interactive-and-generative-works-runs-through-oct-28\/","title":{"rendered":"Morlan Gallery\u2019s first show of the 2011-12 academic year features interactive and generative works, runs through Oct. 28"},"content":{"rendered":"

\"UnveilingLEXINGTON, Ky.\u2014To open the 2011-12 academic year, Transylvania University\u2019s Morlan Gallery<\/a> is hosting two interactive works and one generative work for \u201cUnveiling the Painted Curtain: 21st C Interactive Art,\u201d which runs through Oct. 28. The exhibition title refers to new media artist and theorist Maurice Benayoun\u2019s idea that the very first interactive art was initiated in the 5th century BC when Italian painters Parrhasius and Zeuxis had a competition to determine who was the better artist. It is said Parrhasius won when Zeusix tried to physically unveil his painting, only to discover the curtain was actually paint. Thus, Zeuxis\u2019 gesture becomes part of the painting.<\/p>\n

The exhibition features \u201cToys’ Opera\u201d by Yoni Niv, Elad Shniderman and Adam Kendall; \u201cHigher Calling\u201d by Tim Polashek; and \u201cForgetfulness\u201d by Ivica Ico Bukvic.<\/p>\n

\u201cToys’ Opera\u201d<\/a> is a multimedia installation or performance project for multi-channel video, multi-channel sound-art and physical-computing. It’s centered around a small universe of HO-scale trains, models, contact microphones and miniature cameras on a 5\u2019 x 4\u2019 stage. Most of the trains are serially-controlled via Arduino microcontrollers. \u201cToys’ Opera\u201d creates an abstract narrative built by machine-like formal processes executed upon the recognizable trains and models. It explores the boundaries between suggested and real worlds and wants to create a corrupted sense of reality.<\/p>\n

\u201cHigher Calling,\u201d created by Timothy Polashek<\/a>, assistant professor of music at Transylvania, is an interactive installation manipulating sound and images of an infomercial from the 1950s for telephones. Simple transformations of time, sound and motion lead to perceptual ambiguities and riddles, paying homage to the musical minimalists of the 1960s. A computer captures simple input (a tap) from gallery visitors, generating new video segment.<\/p>\n

Ivica Ico Bukvic used a popular gaming device, the Wii Fit Board, for his interactive audio-visual artwork \u201cForgetfulness.\u201d<\/a> The installation tries to capture the infinite nature of Denise Duhamel\u2019s poetry through the use of dynamic audio-visual metaphors. Through the use of external controller, namely the Wii Balance Board, the audience is given full control over the poetry’s pace and drama. Throughout the journey, explorers are greeted with aural shapes and gestures designed to complement their multi-sensory experience, and yet whose unpredictable nature allows them to be studied also as entirely independent location-aware soundscapes.<\/p>\n

The Morlan Gallery is open weekday, noon to 5 p.m. and by special appointment. The gallery is closed for fall break, Oct. 17-18. For more information, contact Andrea Fisher<\/a> at (859) 233-8142.<\/p>\n","protected":false},"excerpt":{"rendered":"

LEXINGTON, Ky.\u2014To open the 2011-12 academic year, Transylvania University\u2019s Morlan Gallery is hosting two interactive works and one generative work for \u201cUnveiling the Painted Curtain: 21st C Interactive Art,\u201d which runs through Oct. 28. The exhibition title refers to new media artist and theorist Maurice Benayoun\u2019s idea that the very first interactive art was initiated in the 5th century BC when Italian painters Parrhasius and Zeuxis had a competition to determine who was the better artist. It is said Parrhasius won when Zeusix tried to physically unveil his painting, only to discover the curtain was actually paint. Thus, Zeuxis\u2019 gesture becomes part of the painting. The exhibition features \u201cToys’ Opera\u201d by Yoni Niv, Elad Shniderman and Adam Kendall; \u201cHigher Calling\u201d by Tim Polashek; and \u201cForgetfulness\u201d by Ivica Ico Bukvic. \u201cToys’ Opera\u201d is a multimedia installation or performance project for multi-channel video, multi-channel sound-art and physical-computing. It’s centered around a small universe of HO-scale trains, models, contact microphones and miniature cameras on a 5\u2019 x 4\u2019 stage. Most of the trains are serially-controlled via Arduino microcontrollers. \u201cToys’ Opera\u201d creates an abstract narrative built by machine-like formal processes executed upon the recognizable trains and models. It explores the boundaries between suggested and real worlds and wants to create a corrupted sense of reality. \u201cHigher Calling,\u201d created by Timothy Polashek, assistant professor of music at Transylvania, is an interactive installation manipulating sound and images of an infomercial from the 1950s for telephones. Simple<\/p>\n

Read “Morlan Gallery\u2019s first show of the 2011-12 academic year features interactive and generative works, runs through Oct. 28”<\/a><\/p>\n","protected":false},"author":14,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[30],"tags":[31],"feeds":[],"class_list":["post-1666","post","type-post","status-publish","format-standard","hentry","category-events","tag-morlan-gallery"],"yoast_head":"\nMorlan Gallery\u2019s first show of the 2011-12 academic year features interactive and generative works, runs through Oct. 28 - 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Transylvania in October","author":"Office of Marketing and Communications","date":"September 27, 2021","format":false,"excerpt":"Transylvania will bring the cutting edge of creativity to campus next week with its biennial Studio 300 Digital Art and Music Festival.","rel":"","context":"In "Fine Arts"","block_context":{"text":"Fine Arts","link":"https:\/\/www.transy.edu\/1780\/category\/academics\/fine-arts\/"},"img":{"alt_text":"looking at digital art","src":"https:\/\/i0.wp.com\/www.transy.edu\/1780\/wp-content\/uploads\/sites\/14\/2021\/09\/transylvaniastudio300.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.transy.edu\/1780\/wp-content\/uploads\/sites\/14\/2021\/09\/transylvaniastudio300.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.transy.edu\/1780\/wp-content\/uploads\/sites\/14\/2021\/09\/transylvaniastudio300.jpg?resize=525%2C300&ssl=1 1.5x, 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